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A gorgeous transfer student joined our class today, and she had the exact same name as me. Our dance teacher sighed over the attendance sheet, but before she could decide how to tell us apart, my childhood friend raised his hand and gave me a nickname that would nearly cost me my health, my dream, and six years of misplaced loyalty.

Chapter 1 / 5

Chapter 1

“Easy, Ms. Gable,” Zach Carter said, grinning across the studio. “The new one can be Skinny Chloe. We already have Fat Chloe.”

The room erupted.

I stood beside the barre in my black leotard, pretending the laughter did not hurt. At seventeen, I had already spent years learning how to smile when Zach embarrassed me, because Zach and I had grown up together, danced together since middle school, and developed the kind of partnership teachers praised as instinctive. I told myself cruelty was simply his sense of humor.

The new girl, Chloe Brown, looked embarrassed for about two seconds. Then I caught the faint smile she hid while lowering her eyes.

Ms. Gable should have stopped the joke. Instead, she sighed and said, “All right, enough. We have important work today.”

She clapped her hands and gathered us around.

“Our annual showcase will be different this year. Representatives from Juilliard will attend, and one outstanding student will receive a full scholarship to their summer intensive in New York.”

The studio exploded with excitement.

My heart seemed to rise into my throat. Juilliard had been my dream since I was ten years old and saw my first professional dance performance with my mother. I had spent six years learning the showcase piece, Chasing Light, with Zach, and I knew every breath of it.

Then Chloe Brown raised her hand.

“What happens if I don’t have a partner?”

Ms. Gable hesitated. “You’ve transferred very late, Chloe. Everyone else has established pairings. It wouldn’t be fair to break them up.”

“I’ll dance with her,” Zach said.

I thought I had misheard.

Ms. Gable stared at him. “Zach, you’ve partnered Chloe Miller for six years.”

“I want Brown.”

He did not even look at me until I stood.

“What about me?”

Zach finally turned, and his expression was almost bored.

“This showcase matters, Miller. Juilliard people are coming. Brown has the right body for the piece.”

My stomach dropped.

He added, “I can’t keep pretending lifts are easy when you’re over one-fifty.”

There were snickers behind me.

Ms. Gable frowned, not at Zach, but at me. Chloe Brown suggested we settle the matter “fairly” by comparing our weights, and somehow an adult teacher decided that was reasonable.

A scale was dragged from the equipment room.

One dancer after another stepped onto it.

Then came my turn.

The number appeared.

152.

.

Zach gave a theatrical gasp. “No wonder my back hurts.”

I was five-foot-ten and strong, but none of that mattered in that room. The laughter turned the number into a verdict.

Ms. Gable folded her arms. “You know appearance matters in dance, Chloe. You need to get serious about your conditioning.”

Then Chloe Brown stepped on.

110.

She smiled shyly while everyone praised her.

“I just eat less and practice more,” she said. “I think discipline is part of respecting the art.”

Ms. Gable nodded approvingly. “Exactly.”

Then she removed me from the showcase.

For the first time in six years, I stood alone while Zach rehearsed Chasing Light with someone else.

That evening, I found an unused studio in the older wing of the arts building and practiced by myself until my legs trembled. I imagined a partner’s hands at my waist and threw myself through the motions of the lifts I could not perform alone.

A man’s voice came from the doorway.

“You’re going to injure yourself.”

I spun around.

He was tall, perhaps nineteen or twenty, dressed in worn practice clothes. Something about the way he stood told me immediately that he was a dancer.

.

“This is a duet,” he said. “You can’t learn trust by pretending another person is there.”

Embarrassed, I grabbed my bag and left.

At home, Mom found a crash-diet plan open on my laptop.

“Chloe, you’re five-ten,” she said. “Why are you trying to starve yourself?”

“Because I’m too heavy.”

“For whom?”

I did not answer.

For the next five days, I ate almost nothing.

By Friday afternoon, my hands shook during warmups. The room tilted every time I turned, but I kept going because I had convinced myself hunger was discipline.

Then everything went black.

I woke in the nurse’s office with Zach sitting nearby.

For one foolish second, relief warmed me. Maybe he had carried me there. Maybe beneath all those insults, the boy I had known since childhood still cared.

He looked up.

“You seriously have to lose weight, Miller. Carrying you here almost destroyed my back.”

The warmth vanished.

A cool voice came from the doorway.

“Then leave.”

The young man from the abandoned studio walked inside.

Zach scoffed but left.

The stranger checked the water beside my bed and looked directly at me.

“Your blood sugar crashed. Have you been starving yourself?”

I stared at my hands.

“I need to lose weight.”

He was silent for a moment.

Then he said, “If a dancer can’t respect her own body, she’ll never learn to dance from the heart.”

My eyes burned.

He pulled out his phone and wrote down a simple meal plan: breakfast with protein and carbohydrates, a full lunch, a lighter dinner, enough food to train safely.

“Dancers need strength,” he said. “Starvation doesn’t make you lighter. It makes you weaker.”

I managed a quiet thank-you.

As he turned to leave, he stopped.

“I’ve seen you practicing Chasing Light.”

I looked up.

“If you still want to perform it,” he said, “I’ll be your partner.”

“My teacher already replaced me.”

“That wasn’t my question.”

I swallowed.

“Who are you?”

“Julian Brooks.”

The name meant nothing to me then.

The next afternoon, when Julian demonstrated the first combination and moved with the control of a professional, I realized I had agreed to rehearse with someone far beyond any student dancer I had ever known.

Then we reached the first lift.

I tensed automatically.

“What’s wrong?” he asked.

“I’m heavy.”

Julian blinked.

“How much?”

“152.”

He actually laughed.

Not cruelly.

“If a trained male dancer can’t safely partner a 152-pound woman with your height and strength, his first question shouldn’t be about her weight.”

“What should it be?”

Julian held out his hand.

“Whether he’s strong enough.”

Then he placed both hands at my waist.

“Stop shrinking.”

I froze.

“Open your body,” he said. “Let yourself fly.”

I jumped.

He lifted me as if gravity had simply forgotten my name.

And in that instant, I began to wonder whether Zach had been lying to me for years.

Disclaimer: This story is fictional and created for entertainment purposes only. Any names, characters, places, or events are fictitious or used fictitiously. No real person or organization is intended to be portrayed.

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